By Gwendolyn Leick
This Dictionary offers a finished survey of the full diversity of old close to jap structure from the Neolithic around huts in Palestine to the large temples of Ptolemaic Egypt. Gwendolyn Leick examines the advance of the important varieties of old structure inside their geographical and historic context, and describes positive aspects of significant websites comparable to Ur, Nineveh and Babylon, in addition to a number of the lesser-known websites. She additionally covers the diversities of common historical architectural buildings resembling pyramids, tombs and homes, info the construction fabric and strategies hired, and clarifies expert terminology.
0203041070 grasp publication ISBN
0203199650 (Adobe eReader structure)
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Additional info for A Dictionary of Ancient Near Eastern Architecture
It stood in its own enclosure and is now badly denuded. Descriptions by Herodotus and a Babylonian scholar called Anu-bel-šunu describe it as having had seven stages of different colours with a temple at the top. Archaeologists discovered a core consisting of the ruins of previous ziggurats, which had been levelled and enlarged several times before Nebukadrezzar added a casing (15m thick) of burnt brick. Access to the second stage was probably by a perpendicular ramp. The main temple and the sanctuary of the city-god Marduk, called Esagila, was on the S side of the ziggurat.
The ‘White Building’ in level II had massive mudbrick walls and a barrel-vaulted ceiling. , Iraq Supplement 6–7 (1944–45); 8 (1946) aqueduct Artificial channel to transport water over certain distances to ensure supply in arid places. An aqueduct consists of a brick or stone bed or canal, bridges and tunnels, which overcome the different levels of the terrain. Best known is the one of NINEVEH, built by Sennacherib (704– 681 BC). It was over 80km long and constructed entirely of limestone with pointed arches and bridges ornamented with recesses and buttresses.
Their width and height always corresponds to the upper part of the support. The disposition is longitudinal in the centre of a large space (eg in a hypostyle hall) and transversal to the row of supports in the subsidiary spaces (aisles or porticoes). Architraves are bound by means of clamps and pegdowels in wood or stone. Two or three blocks meeting at a corner were cut diagonally to fit like a jigsaw, and dovetailed together. An additional line of architraves could be set on top to weigh them down.