By Radwa Ashour, Ferial J. Ghazoul
This ebook is a useful new reference resource and demanding evaluate of Arab ladies writers from the 19th century to the tip of the twentieth.Arab women's writing within the smooth age started with A'isha al-Taymuriya, Warda al-Yaziji, Zaynab Fawwaz, and different nineteenth-century pioneers in Egypt and the Levant. This targeted learn - first released in Arabic in 2004 - appears on the paintings of these pioneers after which lines the improvement of Arab women's literature in the course of the finish of the 20 th century, and in addition encompasses a meticulously researched, complete bibliography of writing by way of Arab ladies. within the first part, in 9 essays that conceal the Arab center East from Morocco to Iraq and Syria to Yemen, critics and writers from the Arab global research the beginning and evolution of women's writing in each one state within the quarter, addressing fiction, poetry, drama, and autobiographical writing.The moment a part of the amount includes bibliographical entries for over 1,200 Arab girls writers from the final 3rd of the 19th century via 1999. every one access incorporates a brief biography and a bibliography of every author's released works. This part additionally comprises Arab women's writing in French and English, in addition to a bibliography of works translated into English.With its wide scope and huge study, this ebook is an necessary source for an individual attracted to Arabic literature, women's reviews, or comparative literature.
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Extra info for Arab Women Writers: A Critical Reference Guide, 1873-1999
By this point the contributions of pioneering women writers began to become a phenomenon in their own right: their works had proved able to create readable ﬁctional worlds, enjoyable for their local, living characters who evoke a real world and issues of concern. Badi‘a wa Fu’ad does not mimic reality; it is not a piece of didactic literature, and it does not use history to talk about history, like most novels of the period, for example, Dhat al-khidr (Lady of the Harem) 1884, by Sa‘id al-Bustani, ﬁlled, according to Dr.
In her ﬁrst collection, Maraya al-nas (People’s Mirrors) 1945, Widad Sakakini employs a descriptive, analytical language that helps her pierce the various psychological levels of her characters. One story in the collection, “Hajir al-‘anis” (Hajir the Spinster), is particularly striking in that the author is able to expose Hajir’s interior world by following her behavioral transformations, which result not from her nature, but from her family and social surroundings. Hajir does not marry and is thus labeled a spinster, a value-laden term that gives the unmarried woman a lower status than the married one.
The residents of the Lija Quarter are poor Shiites, and their neighborhood, like the belts of desperation surrounding the capital, is cut off from the body of the city while still part of it. Tawﬁq Yusuf ‘Awwad later dealt with the subject of Hayy al-Lija in his novel Tawahin Bayrut (Death in Beirut: a Novel) 1969. The heroine of his novel, Tamima, a Shiite from the south, engages in a relationship with the city and knowledge through her relationship with Hani, a Christian university student. ‘Awwad thus links the characters’ sect and their social and cultural identities.