By Ariel Levy
An eye-opening paintings on gender tradition exploring how the women’s stream has advanced to “Girls long gone Wild” in a brand new, self-imposed chauvinism. within the culture of Susan Faludi’s Backlash and Naomi Wolf’s The attractiveness Myth, journalist Ariel Levy reviews the results of recent feminism on ladies today.
Meet the feminine Chauvinist Pig--the new model of “empowered woman” who wears the Playboy bunny as a talisman, bares fascinated by “Girls long past Wild,” pursues informal intercourse as though it have been a activity, and embraces “raunch culture” at any place she unearths it. If male chauvinist pigs of years previous considered ladies as items of meat, woman Chauvinist Pigs of this present day are doing them one higher, making intercourse gadgets of different women--and of themselves.
In her quest to discover why this is often occurring, Levy interviews university girls who flash for the cameras on spring holiday and teenagers raised on Paris Hilton and breast implants. She examines a tradition during which each tune video turns out to add a stripper on a pole, the memoirs of porn stars are mountaineering the bestseller lists, Olympic athletes parade their Brazilian bikini waxes within the pages of Playboy, and thongs are advertised to prepubescent ladies. Levy meets the high-powered ladies who create raunch culture--the new oinking ladies warriors of the company and leisure worlds who eagerly guard their efforts to be “one of the guys.” and she or he lines the historical past of this pattern again to conflicts among the women’s circulate and the sexual revolution lengthy left unresolved.
Levy pulls aside the parable of the feminine Chauvinist Pig and argues that what has come to cross for releasing uprising is really one of those restricting conformity. Irresistibly witty and wickedly clever, Female Chauvinist Pigs makes the case that the increase of raunch doesn't characterize how some distance girls have come; it in simple terms proves how a long way they've got left to move.