By Blue Fier
The hands-on guide that electronic photographers have to compose nice shots
Introducing readers to the elemental parts of layout, this full-color advisor indicates photographers step-by-step tips to body nice compositions ahead of they take the shot. directions, recommendation, examples, and assignments conceal every kind of photography.
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Additional resources for Composition Photo Workshop
I shot with every lens I had, wide angle, telephoto, and different aspect ratios: 35mm and panorama. I made verticals and horizontals. I couldn’t shoot enough. Finally, I realized I needed to get a different view and noticed an observation area up on a hill overlooking the scene. It was quite a trek to get up there. As a little fog started to come down the hills, the view from up top told a different story, one you could not get from down below. com when you complete this assignment so you can share your best photo and see what other readers have come up with for this assignment.
Qxp 5/16/07 2:38 PM Page 11 note Two of the most common methods for learning compositional rules were — and remain — copying the works of the Old Masters, such as Da Vinci, Michelangelo, Raphael, Caravaggio, Albrecht Dürer, Rubens, and Rembrandt, and discussing famous works of art in student forums. Asian people generally begin at the top-left area but scan downward before looking to the right. These ingrained tendencies greatly affect the way in which you see and how you organize your compositions.
Creating a square within the rectangle creates another golden rectangle as illustrated here. qxp 6/24/08 1:13 PM Page 41 Assignment Seeking the S-curve Your assignment is to photograph an outdoor scene in which an S-curve is the dominant compositional element. It could be the water rushing up to the sand at the beach, a road, or trees along a mountain ridge. First, walk the perimeter of what you want to shoot, looking for the best angles and composition. Next, pick up your camera and shoot away.