By Duncan Chappell, Saskia Hufnagel
On the planet of legislation enforcement paintings and antiquity crime has some time past often assumed a spot of low curiosity and precedence. That state of affairs has now slowly started to alter on either the neighborhood and overseas point as criminals, inspired partially by means of the checklist sums now being paid for artwork treasures, are actually looking to make the most the artwork industry extra systematically via robbery, fraud and looting. during this assortment teachers and practitioners from Australasia, Europe and North the US mix to envision the demanding situations offered to the legal justice procedure by means of those advancements. most sensible perform equipment of detecting, investigating, prosecuting and combating such crimes are explored. This e-book should be of curiosity and use to lecturers and practitioners alike within the parts of legislation, crime and justice.
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Extra resources for Contemporary Perspectives on the Detection, Investigation and Prosecution of Art Crime: Australasian, European and North American Perspectives
This chapter examines by way of four case studies various harmful manifestations of the antiquities trade. First, it recounts the tale of the now famous Euphronios krater, bought by the Metropolitan Museum of Art in 1972 for $1 million, and explains how the looting and trade of antiquities like the Euphronios * This chapter was prepared in response to a kind invitation by the ARC Centre of Excellence in Policing and Security at Griffith University to present a paper at the workshop Contemporary Perspectives on the Detection, Investigation and Prosecution of Art Crime in May 2012.
28 The legal trade, dealers suggest, is in material that was excavated decades or even centuries ago, and that has been in collections ever since. 29 Public policy, dealers suggest, should be aimed at extracting the bad apples, thereby leaving legitimate dealers to conduct their business free from outside interference, for the good of themselves and their customers, and more generally for the cultural and economic benefit of the trading country. Yet even dealers who propound this vision of the trade have on occasion been caught holding material that was originally stolen,30 showing that the sharp distinction between licit and illicit that they like to draw is not warranted.
70 Fakes are the ‘double whammy’ of the antiquities trade. They are produced with the intention to defraud an innocent purchaser, but at the same time they undermine historical scholarship by reducing confidence in the material remains of the past. At first sight, the resources and organization supporting the manufacture of the Persian Mummy might appear to be unusual, but police investigations of other faking operations have revealed similar organizational efforts. The difference is that the effort is expended on producing a larger number of less valuable pieces.