By L. Grossberg
This acclaimed foreign magazine explores the relationships among cultural practices and daily life, monetary kin, the fabric global, the kingdom, and old forces and contexts. Papers featured during this factor contain: The Aboriginal model of Ken performed: banal aboriginal identites in Australia; Creolite and Francophonie in tune: socio-musical repositioning the place it issues; To Serve and safeguard: textualizing the Falklands clash; the chance of Empathy: interrogating multiculturalism's gaze; possibility within the defense area: notes on race, resentment, and the discourse of crime, violence and suburban society; development Diaspora and kingdom: the 1991 "Cultural competition of India;" Unpopular tradition: the case of "white trash."
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Additional info for Cultural Studies 11:2 (Cultural Studies)
Although the popularity of zouk has not revolutionized the relationships between France and its departments in the West Indies, it has given the musical cultures of Martinique and Guadeloupe a much brighter place under the sun of the Hexagone. This phenomenon can be observed at various levels: French artists have recorded zouk songs, Caribbean artists have been designated to represent France in inter-national song contests, and Caribbean music has been getting more airplay on France’s radios and greater visibility on television.
The particular instances of solidarity by and through which these spaces are produced tend to be articulated in ways which emphasize the ‘local’ in relation to the ‘non-local’. Whether it means district, region or country, locality is not conceived in oppositional but rather in relational terms. It represents a territorialized way of existing within a broader space as much as a distinct way of experiencing a deterritorialized community—be it Francophone or Creole. CULTURAL STUDIES 219 CONTROVERSIES OVER SUBJECTIVITY The third and last set of controversies we want to examine concerns subjectivity.
What we want to examine in these final sections is how these narratives of alliance mediate the strategies of valorization of zouk and the Québécois mainstream, and hence their positioning on various markets. On targeting singular situated audiences The qualified cultural métissage in zouk and the unprecedented blurring of genre distinctions in the Québécois mainstream represent two distinct instances of musical alliance which both have some bearing on the audiences constructed by and through these sets of practices.