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Sample text

The impression one gets from the novel bears this out, though not in such an obvious way as one might expect. The difference between The Rainbow and Sons and Lovers is not, for example, like that between Ulysses and A Portrait of the Artist as a Young Man. There are no new devices of technique which startle and puzzle the reader until he gets accustomed to them. The reader may very well progress some thirty or forty pages into The Rainbow before realizing that he is in fact encountering something radically different from what he has met in Lawrence's previous work.

1) This attraction soon turns into repulsion, but a certain bond remains between husband and wife for a long time. The unlikeness of their characters and upbringing inevitably causes friction which is all the more intense because it coincides with the friction inherent in the tensions of working-class life. To this extent the Mr. and Mrs. Morel of Sons and Lovers embody both a psychological and a social study of working-class conflict. Many episodes in the novel could be used to illustrate this friction, but one is particularly apposite.

The actors do not know exactly what it is that they are acting out, and Lawrence's faithfulness to this aspect of the experience gives the scene not only a greater immediacy of impact but also a much greater workingclass veracity. Apart from its importance as a working-class novel Sons and Lovers, as its title suggests, is a great novel about mother love and its relationship to sexual love. The indispensable piece of explication in this respect is Lawrence's letter to Edward Garnett of November 14,1912, in which he outlines the novel's "idea": • • • a woman of character and refinement goes into the lower class, and has no satisfaction in her own life.

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