By David Pogue
If you're able to bounce into electronic images or want to bring up the talents you have already got, David Pogue's electronic images: The lacking guide is simply what you wish. Bestselling writer David Pogue presents a no-nonsense consultant to the complete technique, together with the best way to: purchase and use a camera; get a similar photographic results because the professionals; deal with the implications in your Mac or laptop; edit photographs; and, ultimately, proportion the consequences along with your adoring enthusiasts -- on paper, on-line, or on mugs, jigsaw puzzles, and blankets.
After reviewing 1000s of electronic cameras and photograph providers in his weekly ny instances column, David Pogue is aware electronic images. With this new lacking handbook you will:
Get professional recommendation on the best way to decide upon a camera, together with info at the in basic terms specifications that subject. (Hint: it's now not approximately megapixels).
Learn the fundamentals of lights, composition, and taking pictures plenty of photos
Understand find out how to opt for the easiest digicam settings for 20 diverse scenarios
Unravel the issues of correcting pictures and storing them
Learn David's guidance and methods for sharing and printing images
Get a unique troubleshooting part you could flip to while issues pass wrong
David Pogue's witty, authoritative voice has demystified the Mac, home windows, iPods and iPhones for hundreds of thousands of readers. Now, he bargains step by step directions and lots of pleasant recommendation that can assist you take part the joys and get genuine pride from electronic images.
Read Online or Download David Pogue's Digital Photography: The Missing Manual PDF
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Additional info for David Pogue's Digital Photography: The Missing Manual
The flash can provide just the right amount of ﬁll light to brighten your subject’s face—without affecting the exposure of the background. ) 48 Chapter 4 No flash Fill flash (forced flash) A fill ﬂash like this makes outdoor portraits look a lot better. It eliminates the silhouette effect when your subject is standing in front of a bright background. Better yet, it provides very flattering front light. It softens smile lines and wrinkles, and it puts a nice twinkle in the eyes. ”) To force the flash, see “Flash Modes,” page 51.
Nothing. If you press the Display button enough times, you eventually come to a setting that removes all overlays from the screen. Now you see only the preview of your shot, which is useful for (a) purists and (b) anyone who has no idea what all of those symbols and readouts even mean. • Histogram. On an SLR or advanced pocket cam, you may also be able to call up the histogram—a graph that shows you how the lights and darks are distributed in the scene. It shows you right away whether the whole thing is going to come out as a dark, muddy mess; a blown-out, superwhite ghostfest; or a nicely exposed photo.
Unfortunately, on small cameras, it’s a little tough to achieve much separation of ﬂash and lens. As noted above, redeye is much less of an issue on SLRs. They have a greater separation of lens and flash—especially if it’s an external, separate flash unit. • Fix it in software. If you transfer your photos to the computer and discover, too late, that you’ve got redeye in some of your pictures, all is not lost. Photo-editing programs like iPhoto and Picasa (Chapter 8) have redeye-removal tools. They don’t work perfectly, and they turn everybody’s pupils jet black.